A Star Among Us: Inside the Creative Universe of Humberly González

Humberly González is in the midst of a career-defining era—one that spans galaxies, genres, and generations. From leading the charge as the first Latina protagonist in the Star Wars universe to breaking ground in queer representation on Hallmark, González’s moment isn’t just overdue—it’s seismic. In The Waterfront, she steps into a complex role that mirrors her own evolution: a journalist returning home to confront unfinished business, emotional tension, and buried truths. It’s a role that demands both heart and heat—and González delivers both in spades. In this exclusive conversation with Greay Magazine, the Venezuelan-born, Toronto-trained actor opens up about creative alignment, queer joy, and the quiet power of being seen.

The Waterfront is already generating a lot of buzz. What drew you to this role, and how did you prepare to play a journalist returning home to face her past?

Absolutely—it’s so exciting to see all the buzz, and honestly, it’s well deserved! We’ve got an incredible cast of seasoned actors, and the creative team behind the scenes is just phenomenal. From the moment I saw it was a Kevin Williamson project, I was all in. I’ve long admired his work, so just getting the audition felt like a major win.

What really drew me to this role was how aligned it was with everything my team and I had been manifesting and working toward: a powerful, character-driven script, a visionary team, a strong platform, and the opportunity to be a series regular filming in the U.S. It checked every box. For us, it felt like the perfect next step—and the perfect “yes.”

Working with Kevin Williamson, who helped shape teen drama as we know it, must have been a full-circle moment. What was that collaboration like?

It truly was a full-circle moment. I remember packing up my life to head to Wilmington, North Carolina, and on the day I was traveling, I got a text from Kevin. He told me how excited he was to have me on board—and that he was a fan of my work. That was surreal. It was one of those beautiful moments where you pause and think, Wow, everything I’ve been building toward is being seen. It felt like a mutual recognition, and from there, I knew we were about to create something special.

On set, Kevin has this quiet confidence—he’s calm, funny, and so full of charm. He creates a space where you want to give your all, just to see him smile and say, “That was the one.” I’m beyond grateful for the chance to work with him and help bring his story to life

Your character’s relationship with Cane Buckley carries so much emotional weight. How did you and your co-star approach building that romantic tension and shared history?

For me, it was important that the audience could really feel Jenna’s internal push and pull with Cane. She’s not a bad person—she’s just caught in a deeply complicated situation. Every character in the show seems to be navigating the constant tug-of-war between their better angels and darker impulses, and Jenna is no exception. The choices she faces could go either way depending on the moment.

Our first day filming together was the meet-cute in episode 1. It had everything—flirtation, recognition, longing—it was electric and full of layers. That moment set the tone for everything that followed. Jake and I trust each other to truly listen and respond in the moment, which is honestly the best kind of collaboration. It makes the work feel alive

You recently returned to Ginny & Georgia. How has your perspective on that character and show shifted as it’s evolved over the seasons?

It’s funny—I’ve been part of Ginny & Georgia for six years now, but in the timeline of the show, only a few months have passed. So while Sophie hasn’t aged much, I have, both as a person and as an artist. Every time I return to her, she evolves with me. She draws from my life, my experiences, and how I’ve grown creatively, which makes her feel more layered each time I step back into her shoes.

In this new season, Sophie feels more grounded and emotionally open. She’s seeing Max in a new light—there’s a real sense of maturity in the way she approaches their dynamic. She’s offering support, friendship… and maybe a few subtle romantic signals? wink wink It was so fun to explore the idea that Sophie might be second-guessing her decision to walk away from Max, that she might want back into her world—of course, that stirs the pot a bit.

And I have to say, getting to be part of the musical and play Victor? Total theatre kid dream come true. It was such a joyful, full-circle moment for me.

Starring alongside Michelle Yeoh in Star Trek: Section 31 was major. What was the most surprising thing about being part of that legacy?

I discovered I look great bald! Or at least, that’s what everyone kept telling me—so I’m choosing to believe it! haha But honestly, stepping into the Star Trek universe was such an honor. Playing Melle felt iconic. Bringing back a Deltan—one of the original species introduced in Star Trek: The Motion Picture—was such a cool experience, and I really wanted to do it justice.

What surprised me most was how completely transformed I felt. I had never seen myself look so different on screen—it was empowering and exciting. The hair (or lack there of), the costume, the physicality… it all helped me fully embody Melle. And yes, turns out I can totally kick butt in a dress and heels—which was a revelation in itself!

The Star Trek fanbase is incredibly passionate. How has the fan response impacted you, especially being part of the first Star Trek movie in almost a decade?

I truly felt the love, and I’m so grateful for it. The Star Trek fanbase is unlike anything else—so passionate and engaged—and being embraced by that community has meant the world to me.

Working on the film was pure joy. We were completely immersed in this universe—the sets were breathtaking, the costume design was next-level, and the script gave us so much to play with. It was one of those rare projects where you feel the magic while you’re making it.

I’ve seen the film about five times now, and every viewing reveals something new—another detail, another layer of craftsmanship to admire. But the biggest highlight for me was the red carpet premiere in New York. Watching it in a packed theater with my castmates and feeling the audience’s immediate reactions—it was unforgettable. That night really showed me the impact of what we created. It was deeply fulfilling.

You’ve had an impressive year in genre work. What did you enjoy most about diving into horror with Tarot, especially considering how successful it was at the box office?

I’m such a huge horror fan, so Tarot was a major milestone for me. It was my first big studio film with a global theatrical release—just saying that still gives me chills! On top of that, it was my first international project, which made it even more exciting. Getting to live and work in Belgrade, Serbia for a few months? Total bucket list moment.

One of the highlights was filming my death scene. It was so epic—we shut down a massive bridge in the middle of the night, I was running and screaming through the streets of Europe… it felt like pure horror movie magic. Honestly, it was a dream come true for genre lovers like me.

And to see it do so well at the box office, and to feel that love from audiences around the world—it’s just been incredible. I’ll never forget it.

You just wrapped a film in South Africa. What can you share about that project, and how did being in a new country affect your creative process?

I absolutely adore working abroad, and Cape Town completely stole my heart. It’s such a vibrant, dynamic city with so much culture and beauty. Every day at base camp, we were surrounded by these stunning mountains—it felt surreal. That kind of environment naturally feeds your creativity. It grounds you, inspires you, and makes the work even more fulfilling.

This new film is another horror project—but this time, I’m leading it, which is a dream come true for me as a longtime fan of the genre. I’d describe it as a twisted, modern-day Beauty and the Beast—a dark, terrifying fable that pushes emotional and psychological boundaries.

Diving into such intense material was challenging, but having Cape Town as a backdrop made it all the more rewarding. On my days off, I’d escape to the beach or go hiking—it was the perfect reset. And the cast? Incredible. We became so close, and that connection added so much depth to the experience. I truly can’t wait for the world to see the magic we created together.

Star Wars Outlaws is history-making—you’re the first Latina to lead in any Star Wars property. What did it feel like when you realized the weight and reach of that moment?

Just reading that question makes me pause and think, “How is this my real life?” I’ve had many pinch-me moments in my career, but nothing compares to the moment I found out I’d be leading a Star Wars project—as a Latina.

The word that comes to mind is pride, but it’s so much more than that. It’s also honor, privilege, joy, and an overwhelming sense of responsibility. With this project, I feel like I’m helping break boundaries around what Hispanic and Latin artists can be part of. We’re not limited to stereotypes—we belong in every world, every genre, and yes, every galaxy far, far away.

You were nominated for a BAFTA and a Video Game Award for your performance. What was the most challenging part of working in the video game world compared to TV and film?

I’ve been fortunate to explore motion capture since the very beginning of my career—I actually booked the very first video game audition I went out for, and instantly fell in love with the art form.

The most challenging aspect of working in video games compared to TV and film is the lack of traditional tools we usually rely on—there’s no physical set, no wardrobe, no props. Instead, you’re in a minimal space, wearing a tight wetsuit-like outfit covered in tiny markers, surrounded by hundreds of infrared cameras. On top of that, you’re wearing a fairly heavy head rig that records your facial expressions.

It’s highly technical and can feel a bit strange at first. There’s definitely a learning curve when it comes to performance capture. But once you embrace it, it’s incredibly fun. It taps into your imagination in a way that’s almost childlike—you’re building entire worlds in your mind. I absolutely love it. It’s made me more detail-oriented and playful in my work, and I carry that mindset into every project I take on.

In Friends and Family Christmas, you helped lead Hallmark’s first lesbian holiday rom-com. How did it feel to be part of that kind of visibility on such a mainstream platform?

I was so pleasantly surprised—and genuinely honored—that Hallmark asked me to lead this film. It’s still incredibly rare to see queer Latinx performers in this kind of space, and I truly commend Hallmark for taking that chance on me.

I’ve played queer roles on TV before, and I think that helped highlight the demand, the love, and the significance of including a Latina in a sapphic love story. It just goes to show: love is love, and it comes in many forms.

What makes Friends & Family Christmas so special is that it’s not a story centered around struggle, isolation, or the challenges of being a lesbian during the holidays. It’s not about exclusion—it’s about joy, love, and community. It’s a story that simply lets us be, and I’m incredibly proud to have been part of that.

You came out publicly in 2021. Has being open about your identity influenced the kind of characters you want to play or the communities you feel drawn to represent?

I had been playing LGBTQ+ characters long before I came out publicly. There’s something about being a storyteller—it comes from a place of truth and authenticity. I used to joke that the camera saw it before anyone else did. In many ways, those roles allowed parts of me to be seen and accepted, even before I was fully ready to share them with the world. And that gave me the confidence to eventually step into my full self.

Now, I feel incredibly proud to take on roles that reflect all the layers of who I am. Anytime I get to bring my queer, immigrant, Latina identity to a story, it feels like a true act of love—and it completely warms my heart.

You’ve spoken about your Venezuelan roots with a lot of pride. How has your cultural background shaped your approach to storytelling?

I grew up with an instinct for expression. Being Venezuelan means everything to me—it’s in my music, my humor, my joy. From a young age, I was surrounded by dance, charisma, and storytelling. I was encouraged to be the kid who sang and performed just because she loved it.

At the same time, I witnessed hardship—political turmoil, scarcity, and the struggles my community faced. That contrast shaped me deeply. It gave me a childhood filled with adventure and heart, but also a deep awareness of resilience and strength.

That polarity lives in my work. It gives me emotional range and depth, but more than anything, it gives me drive. Venezuelans don’t give up—we adapt, we keep going, and we do it with spirit. That’s something I bring to every character I play.

Having lived in Venezuela, Aruba, and Canada, how do those experiences inform your sense of self—and your craft as an actor?

Living in Venezuela, Aruba, and Canada made me feel like a bit of a chameleon—constantly shape-shifting to adapt to new environments. I’m deeply grateful for that exposure. Each place taught me something different: how people live, what their struggles are, and how culture, politics, and environment shape identity. All of that broadened my worldview and gave me a deep empathy that I bring into every role.

I think my craft is very much informed by that sense of movement and change. I carry an awareness of life that enriches my characters—it adds depth, emotional range, and perspective. My self-expression has been shaped by those experiences, and at the core of it all is a deep admiration for change itself. It’s the only constant.

I’ve learned to surrender control over my narrative and embrace the flow of life. That, to me, is the magic of existence. And now, as an actor with a nomadic spirit, I step into new spaces with the awareness that I’ll meet a new version of myself every time—and learn something new with each experience

You’ve portrayed characters who are navigating grief, love, loss, and legacy. What kinds of stories feel most personal to you right now?

I’m intrigued by so much—grief, love, identity, belonging. I don’t think I could choose just one aspect of being human that feels most transformative, because I genuinely believe the roles that come my way are the ones I’m meant to explore in that exact moment. I don’t believe in coincidences.

When I look back at my career so far, I can clearly see how the stories I’ve been part of have mirrored what I was going through in my own life. That kind of alignment is such a gift. To be open enough to receive roles that challenge me, move me, and deepen my understanding of myself—that’s what keeps the work meaningful. Every character expands my humanity a little more, and I’m always ready for the next mirror

With such an intense and dynamic slate of roles this year, how do you ground yourself between projects?

My community—without a doubt. I can’t stress this enough: surround yourself with people who truly see you, who celebrate you, and who check in when it matters. I’m so lucky to have friends who feel like family. After pouring parts of myself into a role, coming back to them brings me home. They’re my anchor.

The other big one is nature—mountains, ocean, wide-open landscapes. There’s something incredibly healing about stepping away from the intensity of set life and taking time to integrate the experience. Whether it’s a local getaway or hopping on a plane, travel gives me perspective. It lets me breathe, reflect, and reset before diving into whatever’s next

What do you hope young queer actors or Latinas take away from seeing your journey unfold?

I hope they see that there’s room for all of us to shine—not by conforming to a mold, but by showing up in our full, honest authenticity.

Within Hispanic and Latinx culture, there’s still a lot of work to be done when it comes to fully accepting and celebrating queerness. It can be terrifying to step into who you are, especially when doing so may not feel safe. I’m very aware that being an openly queer Latina in the public eye is a privilege. Many people don’t have the luxury of risking rejection by their families or losing opportunities because of their identity.

That’s why I don’t take this visibility lightly. I hope that simply existing in my truth encourages others to connect with their truth—even if it’s just privately, even if it’s just with themselves. Because that, in itself, is a form of freedom. And sometimes, that first quiet act of self-recognition is the bravest thing we can do.

If you could jump into any fictional universe—TV, film, or game—and play a character, where would you go and who would you be?

I’d love to be part of the MCU. Wearing a super suit, flying through the sky, kicking butt—that’s been a dream of mine for as long as I can remember. And honestly, it feels more possible than ever.

Right now, I’m watching a fellow Venezuelan actress, the incredible María Gabriela de Faría, step into that world with Superman, and it’s beyond inspiring. Seeing Latinos take up space in these massive, iconic universes fills me with pride.

And trust me—I’m coming next!

What are you watching, listening to, or reading that’s inspiring you creatively right now?

Lately, I’ve been really into listening to books on Audible. A few that are in rotation right now are The Let Them Theory by Mel Robbins, The Surrender Experiment by Michael A. Singer, and Big Magic by Elizabeth Gilbert. I’m a sucker for anything that expands the mind and invites deeper self-awareness.

Right now, I’m in a chapter of my life that feels like a death and rebirth of self—shedding old layers and stepping into something new. These books are helping me navigate that transition with curiosity, trust, and creativity.

You’ve made an impact across Netflix, Paramount+, and the gaming world all in one year. Who’s a dream collaborator still on your list?

I definitely have a few dream collaborators—no shame in that! I’ve always been drawn to the kind of layered, complex storytelling HBO is known for. Six Feet Under is one of my all-time favorite shows, and being part of a series with that level of emotional depth and nuance would be a dream.

As a horror fan, I’ve long admired the work of Jason Blum and Mike Flanagan. They’ve created some of my favorite genre content, and I would love the chance to help bring one of their dark, imaginative worlds to life.

And I recently finished Severance on Apple TV and was completely captivated. The performances, the concept, the tone—it all left such an impression. So yes, I’m officially manifesting a role in an Apple TV+ series or film!

Whether she’s commanding a starship, leading a holiday rom-com, or redefining heroism in horror, Humberly González is carving space for characters—and communities—that have long been waiting in the wings. With each role, she pushes the industry toward deeper authenticity and wider inclusion, embodying the kind of layered storytelling that lingers well beyond the credits. As she continues to move between worlds—on screen and off—one thing is clear: Humberly isn’t just part of the future of entertainment—she is the future. And she’s just getting started.

Photography Roman Lopez @romanlopezfotografia

Story By Kyra Greene

Make Up Tamieka Gardner @tamiekamua

Hair Adrian Cobain @hairbyadrianc

Wardrobe Vincent Weathersby Jr @styledbyweathersbyjr

Asst Wardrobe Monica Sera @shegoeseverywhere

Produced By The Greay Firm